"Among the smartest records of jazz vocals - and lyrics - ever produced." - Boston Globe "4.5 stars." - Downbeat "#1 Jazz Album of 2002." - Los Angeles Times.
L**Y
highest musician ship
first heard one number on radio 3. What amazing craftsmanship, words and music blending as they should.
R**N
Uneasy listening
I've called this review "Uneasy listening", but it is absolutely meant as a compliment. Having been recommended Patricia Barber's work a number of times over the years, this is the first time I've actually heard a whole album and hey! I'm converted!Her voice has something of the warm huskiness of Diana Krall, but, other than that she's also a gifted piano player, comparisons end there. The lyrics are complex and more akin to blank verse than songs; the backing (especially the guitarist who's obviously been listening to his Bill Frisell albums)is sparse, but absolutely appropriate for the songs, and sets an even icier chill on the atmosphere. This is definitely not easy-listening jazz, but it is still jazz.In an era where a lot of jazz seems to be retreating into a cosy reverence for the past, Patricia Barber is pushing the boundaries and deserves your immediate attention.Now, you must excuse me, I'm off to buy some more of her albums!
R**K
Underwhelmed
It must have been quite early in her career. Her later works are much more accomplished. She is still my favorite jazz artist.
P**S
Enchanting masterpiece!
I cannot help but be extremely enthousiastic about this album. Its musical poetry that reminds me of the jazzy albums of Joni Mitchell, such as 'Mingus' and 'Hejira'. The music and the vocals are working as an engaging unity and it sparkles with the joy of playing and improvisation.Highly recommended!
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