

Darkwar [Cook, Glen] on desertcart.com. *FREE* shipping on qualifying offers. Darkwar Review: Great book - I was surprised this book has been published a number of years ago, and pleased that I have finally been able to read it. Originally, I was going to award it only 4 stars, but I can't stop thinking about it, questioning character's actions and motives. It's not often that a book keeps my mind occupied long after I have finished it, so, I gave it an extra star. On the surface, this is a usual story of young magician growing up. But, being a Glen Cook's novel, the story and characters are rather complex, as good and evil are not clearly defined. From certain point of view, the main character, Marika, can be seen as genuinely evil. But mostly, you can clearly see her reasons and able to sympathize with her. I have one observation about certain plot-driving developments, regarding population mechanics and logistics. Namely, population of inhospitable biomes, like Arctic, is sharply limited by food supply. So, both low-tech nomads and high-tech rogues had to have a large scale supply operations that had to originate in temperate climate zones. Moreover, to give the nomads superior numbers that they had, these operations must had started well before the beginning of the book. The main character, Marika, admits once that there must be such operations going on, but neither at that moment, nor later she tries to put this fact in perspective, or do anything about it. Review: An Underappreciated Glen Cook Series - As most of my friends know, I am a Glen Cook fan, have been since I was a teenager in the 1980s and read The Black Company. That quintessential grimdark fantasy (before there was even the term) blew my mind, turning me into a fan for life. Since then I’ve tried to read everything the man has written. Most of his novels I’ve enjoyed (though I obviously have favorites and some not so favorites), but one of his “underappreciated” series is Darkwar, which was first published back in the mid-80s as a trilogy. This is a story about Marika: a Meth pup of the Degnan Packstead, living in the longhouse of her dam. (The Meth are a dog-like species whose dominate sex is the females of the race.) In their simple society, Marika and her litter mates live a routine life, concerned with hunting and gathering food as well as staying out of the way of their elders. But while this childhood together does encourage strong bonds between litter mates, the sibling love between Marika and her weaker and cowardly brother Kiblin is an unnaturally strong and committed one, sealed by their sharing of a gift that is as much a curse as a blessing. A gift of magic that each keeps secret from their dam, so as not to attract the attention of the unnatural Silth witches, who kill with their thoughts. But the two pups need not worry about being discovered, because soon the world starts to change around them. Winters growing colder and longer. The land of snow moving further south from the pole. And Marika and Kiblin overhear the adult meth of the Packstead whispering of invasion by armed and desperate nomads, and worse yet – the return of the Grauken: that most horrible of times when meth feed on meth! From this familiar set up of medieval civilization and gifted farm child, Glen Cook crafts a powerful tale of a society undergoing massive changes while dealing with the prospect of worldwide cataclysm. But instead of being limited by the standard fantasy tropes, Cook deftly remolds them into new, different patterns, continually surprising you as he evolves Darkwar from a traditional medieval fantasy to fantasy steampunk and then finally a fantasy/sci-fi hybrid. Something especially refreshing about this novel was that Marika was a powerful, female protagonist. (Not nearly as common back when this was published.) And while she was introduced in the classic “Chosen-One-comes-to-save-the-world” character style, she soon morphs into something else: a “hero” who doesn’t behave as one but isn’t really an anti-hero either. A more appropriate label for Marika would be that she is the physical representation of societal change; a force of nature itself that destroys and creates in equal turns as it sees fit. There is no animosity in Marika’s acts, merely decisions that are caused by the operation of cause and effect as one decision begins a chain reaction which results in more changes occurring in a rapid progression until everything is now different. Thankfully, however, Cook mixes in enough tender and touching moments to keep Marika from losing all semblance of her humanity — though she is a difficult character to really love. If all that doesn’t sell you on giving this one a try, then let me attempt to do so in another way. I re-read Darkwar a couple years ago (It having been more than a decade since I read it last), and, after all those years, the book touched me more deeply now than it did when I was younger: Certain societal changes and obstacles of Marika and her world eerily mimicking our own ongoing problems. Since then I’ve found myself wondering many times “How would Marika deal with this or that?” And when a fantasy story touches me that deeply, it had to have done something right.
| ASIN | 1597802018 |
| Best Sellers Rank | #1,532,561 in Books ( See Top 100 in Books ) #11,497 in Dark Fantasy #13,562 in Action & Adventure Fantasy (Books) #15,874 in Epic Fantasy (Books) |
| Customer Reviews | 4.5 4.5 out of 5 stars (110) |
| Dimensions | 6 x 1.6 x 9 inches |
| ISBN-10 | 9781597802017 |
| ISBN-13 | 978-1597802017 |
| Item Weight | 1.5 pounds |
| Language | English |
| Print length | 512 pages |
| Publication date | December 1, 2010 |
| Publisher | Night Shade |
A**X
Great book
I was surprised this book has been published a number of years ago, and pleased that I have finally been able to read it. Originally, I was going to award it only 4 stars, but I can't stop thinking about it, questioning character's actions and motives. It's not often that a book keeps my mind occupied long after I have finished it, so, I gave it an extra star. On the surface, this is a usual story of young magician growing up. But, being a Glen Cook's novel, the story and characters are rather complex, as good and evil are not clearly defined. From certain point of view, the main character, Marika, can be seen as genuinely evil. But mostly, you can clearly see her reasons and able to sympathize with her. I have one observation about certain plot-driving developments, regarding population mechanics and logistics. Namely, population of inhospitable biomes, like Arctic, is sharply limited by food supply. So, both low-tech nomads and high-tech rogues had to have a large scale supply operations that had to originate in temperate climate zones. Moreover, to give the nomads superior numbers that they had, these operations must had started well before the beginning of the book. The main character, Marika, admits once that there must be such operations going on, but neither at that moment, nor later she tries to put this fact in perspective, or do anything about it.
W**L
An Underappreciated Glen Cook Series
As most of my friends know, I am a Glen Cook fan, have been since I was a teenager in the 1980s and read The Black Company. That quintessential grimdark fantasy (before there was even the term) blew my mind, turning me into a fan for life. Since then I’ve tried to read everything the man has written. Most of his novels I’ve enjoyed (though I obviously have favorites and some not so favorites), but one of his “underappreciated” series is Darkwar, which was first published back in the mid-80s as a trilogy. This is a story about Marika: a Meth pup of the Degnan Packstead, living in the longhouse of her dam. (The Meth are a dog-like species whose dominate sex is the females of the race.) In their simple society, Marika and her litter mates live a routine life, concerned with hunting and gathering food as well as staying out of the way of their elders. But while this childhood together does encourage strong bonds between litter mates, the sibling love between Marika and her weaker and cowardly brother Kiblin is an unnaturally strong and committed one, sealed by their sharing of a gift that is as much a curse as a blessing. A gift of magic that each keeps secret from their dam, so as not to attract the attention of the unnatural Silth witches, who kill with their thoughts. But the two pups need not worry about being discovered, because soon the world starts to change around them. Winters growing colder and longer. The land of snow moving further south from the pole. And Marika and Kiblin overhear the adult meth of the Packstead whispering of invasion by armed and desperate nomads, and worse yet – the return of the Grauken: that most horrible of times when meth feed on meth! From this familiar set up of medieval civilization and gifted farm child, Glen Cook crafts a powerful tale of a society undergoing massive changes while dealing with the prospect of worldwide cataclysm. But instead of being limited by the standard fantasy tropes, Cook deftly remolds them into new, different patterns, continually surprising you as he evolves Darkwar from a traditional medieval fantasy to fantasy steampunk and then finally a fantasy/sci-fi hybrid. Something especially refreshing about this novel was that Marika was a powerful, female protagonist. (Not nearly as common back when this was published.) And while she was introduced in the classic “Chosen-One-comes-to-save-the-world” character style, she soon morphs into something else: a “hero” who doesn’t behave as one but isn’t really an anti-hero either. A more appropriate label for Marika would be that she is the physical representation of societal change; a force of nature itself that destroys and creates in equal turns as it sees fit. There is no animosity in Marika’s acts, merely decisions that are caused by the operation of cause and effect as one decision begins a chain reaction which results in more changes occurring in a rapid progression until everything is now different. Thankfully, however, Cook mixes in enough tender and touching moments to keep Marika from losing all semblance of her humanity — though she is a difficult character to really love. If all that doesn’t sell you on giving this one a try, then let me attempt to do so in another way. I re-read Darkwar a couple years ago (It having been more than a decade since I read it last), and, after all those years, the book touched me more deeply now than it did when I was younger: Certain societal changes and obstacles of Marika and her world eerily mimicking our own ongoing problems. Since then I’ve found myself wondering many times “How would Marika deal with this or that?” And when a fantasy story touches me that deeply, it had to have done something right.
R**R
Awesome book
It's 3 in the morning as I am writing this but I wanted people to know that this a great read. Maybe I will take time to write a better review but I haven't been able to stop reading this book for the past 3 days and I am exhausted. It starts out a little slow but gradually picks up and you get drawn into the characters and can't wait to find out what will happen next to the world that the Jiana shapes
C**4
excellent story
This was such an unexpected story. I have always enjoyed the black company series. This had a similar feel but just filled with a strong emotional undercurrent. The ending just hit hard and made me reflect on life.
K**N
Wow how did I miss this
This book gets huge points right out of the gate for having no Humans as main characters. That alone endeared this little gem to me from the start as it is such a very rare thing and I simply had to see where it would all lead. Mr Cook weaves a good tale and has interesting characters that while they have human traits (out of necessity as most of his readers are human :) ) also have some alien ones as well. Great fun!!
B**F
It’s a great tale that grows better with each and every chapter. The characters and setting and plots evolve and grow richer. If you’re a thinker, it’s a story of how a powerful thinker can change the world, but often in ways she cannot predict because so many others resist out of fear of the new and different.
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